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The Go Feet Story
Formed
by the Beat in 1980, the Go Feet label would end up releasing eighteen
7-inch singles, eleven 12-inch singles, and 6 LPs in its three year
lifespan. These releases would go on to become highly significant
in the worlds of ska, reggae, and pop.
As a result of the break out success of the Beat's first single
which was released on the Two Tone label, the band was courted by
numerous major labels hoping to cash in on the ska craze in the
UK.
The Beat established their own label to shield themselves from
the many negative aspects of dealing with corporate record labels.
In this way, the band was given more creativity to record the music
as they wanted as well as to expose bands that the major labels
would not take a chance on. Dave Wakeling describes the band’s
inspiration for forming the label: as coming from “the Specials’
notion of Two Tone. We were quite impressed that it appeared that
they had signed with a record label that could get them on the radio
and that they had control of them.” However, the Beat soon
discovered, the benefits of such agreements were short-lived. They
still faced great pressure to deliver hits as well as creative interference
from the record executives. Arista’s promotion men had quotas
to meet when they ventured out to the radio stations with their
stack of records. These men gave men priority to established names
that were easier to persuade the stations to play. Boutique labels,
like such as Go Feet, would be placed on the bottom of the stack
with far less emphasis placed on securing air time for them.
Arista distributed the label in the UK and throughout Europe, Japan,
and Australia. I.R.S. distributed it in the USA the band had tried
an initial run with Sire.
The Design
Cartoonist Hunt Emerson, known best at the time for his Firkin
the Cat comic, is responsible for the design of the label, which
has become just as memorable as the music its self. A simple palette
of red, black, and white makes the records stand out. Meanwhile,
feet in the style of a dance instruction chart are spread across
the top. The bottom left is occupied by one of the most recognizable
ska icons: the Beat Girl. Like the Two Tone icon "Walt Jabsco"
who she is often associated with, the Beat Girl was inspired by
a Jamaican ska photograph. She is a sketch of a girl dancing in
a photograph with Prince Buster (Halasa). She as well as many other
elements of the design were inspired by the Beat’s first promotional
poster. The poster also is the origin of the Beat’s logo,
which Dave had sketched from a photograph of the Beatle’s
drum kit. As sales declined, Arista made the decision to stop pressing
the 7-inch singles with the traditional Go Feet paper label in favor
of the cheaper (and far less attractive) molded silver label.
Imitators
Much like the Two Tone label, Go Feet has a unique
design that stands out and is easily indentified by consumers.
As a result, others imitated the design and, in some cases, blatantly
stole elements of it with the intention of either misleading or
of showing admiration.
If you have a record with a design that looks
eerily similar to the Go Feet artwork, then please submit scans
via e-mail.
Here are the imitators (click for more information):
Missing
You - Never Giving Up!
The
Expressos - Tango In Mono
Conclusion
While the Go Feet label never became the stepping
stone for new artists that it was intended to be, its releases
have become classics. The label its self remains a unique identity
with many devoted fans after all these years. |